Ideally it's the optimal situation for consumers. You buy a system, and you have access to almost every major game, with as few exceptions as possible. To me though, it's a sad thought, as I sometimes long for a time when there were an assortment of games I couldn't play because I could only afford one system. When that one guy in the neighborhood who bought the Xbox would show us all "Halo" and have us regret our PS2 decision (if only for a moment), or when N64 owners could stretch arguments with their Playstation rivals on into the morning by just dropping the name "Goldeneye" every now and then.
Regardless of how you play though, there is hardly a session of Minecraft multiplayer that doesn't produce some kind of scenario or situation that you simply will not get in any other game. It may not do much more than throw more people into the Minecraft world, but then again really doesn't have to.
It’s safe to say that Minecraft has become one of biggest gaming phenomenons ever, earning mass cultural significance and merchandising opportunities, all while solidifying Persson’s creative mastery and contributing to the indie game boom of the 2010s, but Minecraft has taught many gamers and developers alike that there are ways to approach game design from other angles and still provide a fulfilling experience. When it comes right down to it, gaming hasn’t had the kind of creative milestone Minecraft building guide has shown in a long time. It uses the gaming medium in groundbreaking ways that no other medium can use; it is a work of art in every sense of the matter.
In a way its reminiscent of the film industry in the '90s, when guys like Quentin Tarantino were causing as much buzz as names like Steven Spielberg, and for a fraction of the cost. It was a time when film studios were snatching up every indie film they could get, while others like Miramax were becoming among the most successful around for being known as the home of daring new independent films that not only excited audiences with their infinite artistic possibilities, but equally thrilled their producers with insane profit margins.
At this point I thank them for the interview and ask if they can send me some of the screenshots they showed me so I can put them in the write up which based on the above screenshot they obviously agreed to. I have played Minecraft, and while I can appreciate what it does and see why it has the popularity it has, I was never able to get into it. Dragon Quest Builders, on the other hand, was much more enjoyable, at least in my opinion. Perhaps it is because I am a long time Dragon Quest fan and enjoy the story component but regardless of the reason I did enjoy the time I spent with the demo. From the limited exposure I did get it seems like this really is an adventure/RPG that uses the building block mechanic and not a simple Minecraft clone dressed up like Dragon Quest. As a result of my time playing the demo and this discussion, I am looking forward to getting my hands on the final version and testing out my bonfire prison idea. Dragon Quest games have always had the same game designer, character designer, and composer, who are respectively Yuji Horii, Akira Toriyama, and Koichi Sugiyaman. These three have worked on the franchise for its thirty year existence and are all on board with Dragon Quest Builders.
Monsters from many games in the series will make an appearance, as will many location names from other games. Specific hero characters from other games will not make an appearance, but there are plenty of reference to other Dragon Quest games that should make long time fans smile.
No game has done what Minecraft has done. No game even remotely associated with the "sandbox" element has realized that truest sense of childlike wonder and exploration that Notch and his friends at Mojang have achieved. They’ve changed how you can approach the fundamental necessities of a game, while fueling a sense of personal freedom that no game has ever reached. It’s clear that Minecraft is a commercial success and a cultural milestone, but if as gamers you look into what Minecraft is and what it does, you realize that it’s not just about goofy blocks of sands, hissing Creepers or that square sun rising over the horizon. Minecraft is a landmark title in games as a whole; it does things that no game before it has achieved, at least not at this level. Making a game a work of art isn’t about flowering up the graphics or enlisting big-name voice talent; it’s about using what you can only do in a game and making something fresh and new. It’s about taking these distinctive qualities of the gaming medium and breaking free of convention. Minecraft does all that. In spades. If we’re to show the world that games can do amazing things, things that film or TV can never hope to ever achieve, Notch’s indie-game-that-could is our best weapon. Plainly and simply, Minecraft is a work of art.
Cloudberry Kingdom is a game that takes those experiences we used to share in just conversation, and allows us to actually play them together. Consisting of a series of random increasingly difficult 2D platforming levels, the feather in Cloudberry's cap is it's four player mode which takes these already near impossible challenges, and makes them even more difficult now that you have to work with your friends to complete them.